A Conductor at the Feast
A porcelain soup tureen on the polished dining sideboard offered an irresistible echo chamber for the evening. Striding up to its glazed, curved flank, I raised my microphone cane and delivered three rhythmic taps against the ivory china. The crisp, bell-like timbre reverberated through the empty vessel with exquisite theatrical grandeur. I proceeded to conduct an impromptu nocturnal overture, tapping against an embossed silverware spoon and an empty cut-glass goblet, basking in the resonant acoustics that no crude digital speaker could ever hope to replicate.

